(NEW YORK) — A documentary on Taylor Swift will kick off the next Sundance Film Festival, where new films including the Will Ferrell-Julia Louis Dreyfus remake of the Swedish film “Force Majeure” and Benh Zeitlin’s long-awaited follow-up to “Beasts of the Southern Wild” are set to premiere.
Programmers for the preeminent showcase for independent cinema, founded by Robert Redford and set annually in the mountains of Park City, Utah, announced the lion share of the lineup for its 2020 edition on Wednesday. The lineup of 118 feature-length films, culled from a record 15,100 submissions, come from 27 countries, includes 44 first-time filmmakers and is among the most diverse in the festival’s 37-year history. In the four competition categories, 46% of the directors are women, 38% are people of color and 12% are LGBTQ.
The coming Sundance, set for Jan. 23-Feb. 2, follows a 2019 festival that saw big-pocketed streaming services set off an avalanche of high-priced acquisitions, some of which notably fizzled at the box office. Amazon paid large sums for “Late Night” and “The Report” but neither made much of a dent in theaters; Amazon is now shrinking its exclusive theatrical window for some releases. Warner Bros.’ paid $15 million for the Bruce Springsteen-infused coming-of-age tale “Blinded by the Light,” but it failed to catch on.
The biggest hit to emerge from last year’s crop was Lulu Wang’s “The Farewell,” which has grossed $17.7 million for A24. It’s been one of the bright spots in a trying marketplace this year for indie film. Still, Sundance, where movies like “Get Out,” “Little Miss Sunshine” and “The Big Sick” first debuted, remains the premier factory for breakout hits. Lately, that’s increasingly meant documentaries, too, including “RBG,” “Won’t You Be My Neighbor?” and, from this year’s Sundance, “Apollo 11.”
Sure to add extra frenzy this year is Lana Wilson’s “Taylor Swift: Miss Americana,” which the festival describes as “a raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life.”
Netflix has acquired the film and plans to release it in early 2020. It is also set to distribute seven more, including new films from “Mudbound” filmmaker Dee Rees and the fictional debut of “What Happened, Miss Simone” director Liz Garbus — an early sign that Netflix will play a prominent role in this year’s Sundance.
Apple, too, has already gotten in on the act, a year after making its first acquisition at Sundance (“Hala”). On Monday, it picked up a high-profile documentary headed to Park City: Amy Ziering and Kirby Dick’s untitled film about a former music executive grappling with the decision to go public with a story of sexual assault by a notable figure in the music industry. Oprah Winfrey is an executive producer.
“This year’s festival is full of films that showcase myriad ways for stories to drive change, across hearts, minds, and societies,” Redford, president and founder of the Sundance Institute, said in a statement.
Among the films debuting in Sundance’s Premieres section is Nat Faxon and Jim Rash’s “Downhill,” the English-language remake of Ruben Ostlund’s “Force Majeure,” starring Louis-Dreyfus and Ferrell as a couple whose relationship is altered after they escape an avalanche.
Zeitlin will unveil “Wendy,” a “Peter Pan”-inspired adventure shot in the West Indies. It’s his first movie since his Oscar-nominated debut, “Beasts of the Southern Wild,” a sensation at 2012’s Sundance.
Also on tap for are Rees’ Joan Didion adaptation “The Last Thing He Wanted,” with Anne Hathaway and Ben Affleck; Michael Almereyda’s Nikola Tesla biopic “Tesla,” starring Ethan Hawke as the engineer-inventor; Florian Zeller’s “The Father,” with Anthony Hopkins as an aged man who moves to Paris, co-starring Olivia Colman; and Garbus’ debut “Lost Girls,” a missing-child drama with Amy Ryan and Thomasin McKenzie.
Other notables include Julie Taymor’s nontraditional Gloria Steinem biopic, with Julianne Moore, Alicia Vikander, Bette Midler and Janelle Monae; Justin Simien’s horror satire “Bad Hair”; Dominic Cooke’s Cuban Missile Crisis drama “Ironbark,” with Benedict Cumberbatch; Emerald Fennell’s “Promising Young Woman,” a revenge tale led by Carey Mulligan; Sean Durkin’s ’80s-set marriage tale “The Nest,” with Jude Law and Carrie Coon; Josephine Decker’s Shirley Jackson biopic “Shirley,” starring Elisabeth Moss as the “The Lottery” author; Viggo Mortensen’s directorial debut “Falling”; and Miranda July’s “Kajillionaire.”
Other documentaries coming to Sundance include Ron Howard’s “Rebuilding Paradise,” about the aftermath of the devastating 2018 California wildfire; “The Fight,” about the ACLU’s legal battles with President Donald Trump; the Deepwater Horizon oil spill expose “The Cost of Silence”; and Kim A. Snyder’s “Us Kids,” about the teenage survivors of Parkland, Florida.
This will be the last Sundance overseen by its longtime director, John Cooper. He is stepping down next year to take on the role of emeritus director.
“The program this year, my last as director, is a celebration: of art and artists, yes, but also of the community that makes the annual pilgrimage to Park City to see the most exciting new work being made today,” said Cooper.
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